Where Do Writer’s Find Inspiration? Classic Favorites vs. AI

Last week I read a book purely for escapism, a cozy mystery, populated by Jane Austen Characters entitled The Murder of Mr. Wickham by Claudia Gray. I didn’t have to think too hard as I’d already met: Fitzwilliam and Elizabeth Darcy, Marianne and Colonel Brandon, Anne and Frederick Wentworth, and Fanny and Edmund Bertram. Already familiar with the English country homes so well described in my favorite Jane Austen Novels: Emma, Persuasion, Mansfield Park, Pride and Prejudice, Sense and Sensibility, Northanger Abbey, I merely had to get to know the two new characters Jonathan Darcy (son of Fitzwilliam and Elizabeth) and Juliet Tilney ( daughter of Northanger Abbey’s Catherine and Henry) who team up together to solve the murder.

Photo by Karolina Grabowska on Pexels.com

The AI (artificial intelligence) debate among writers, as to what makes human writing truly unique continues.

The novel started me thinking about where writers find inspiration, because certainly this particular set-up would theoretically be the perfect candidate for an AI (artificial intelligence) generated book. A good portion of the plot of The Murder of Mr. Wickham  relies on tropes and scenes frequently present in other Jane Austen books.

As to be anticipated, in  this cross between an Agatha Christy whodonit and a Jane Austen novel, we have  a series of misunderstandings between couples, friends and romantic prospects as well as a grand ball, a visit by the gentry to the village where they are shunned, a church scene with more snubbing, and conflicts that center on income and social class. While I was curious to find out the identity of the murderer, with so many characters possessing motive, I found myself more interested in the potential for a romance to develop between Jonathan and Juliet.

Is picking up ready-made characters cheating? Certainly, the use of characters who have already proven themselves to be favorites among readers, give a writer an advantage when looking to find a publisher.  What is the difference from taking a character or storyline from the Bible or a popular fairytale vs. taking a fictional character such as Sherlock Holmes or Sir Lancelot casting them in the starring role of your next short story or novel.

One thing I’ve noticed is the different ways a popular character can be used. Minor characters in a well-known fairy tale, perhaps one of the step-sisters in Cinderella may have a very different take on why Cinderella was not allowed to go to the ball. The Genie locked inside a bottle could probably tell a series of funny stories about badly chosen wishes. In the Broadway hit musical “Wicked,” partially adapted from the 1995 Gregory Maguire novel Wicked: The Life and Times of the Wicked Witch of the West, Glinda is not the spotless white witch she purports herself to be when one hears the tale from Elphaba’s prospective.

Anything that spurs new ideas is fair game, as long as borrowing a character or a plot is not plagiarism. The plot or the characters must have evolved and changed and if the characters, are unique and not protected by copyright rules.

As a general rule, for works created after January 1, 1978, copyright protection lasts for the life of the author plus an additional 70 years.

Thus, favorite characters such as the Harry Potter gang, are relegated to fan fiction only, meaning the work is “unauthorized” and cannot be used for monetary return.

Taking inspiration from classics can be a creative endeavor if not taken up by computers. It can make a great writing prompt.

WRITING PROMPT

Think of a favorite folk/fairy tale such as The Three Bears. What if Goldilocks had the opportunity to apologize for her rude intrusion into the Bear’s Cottage. Imagine and write down what might happen. If the men who pretended to sell invisible cloth to the emperor were to tell the story of The Emperor’s New Clothes, would they tell it differently than the traditional fairy tale? Try different approaches. Have fun.

I’ve been doing my own experiment, writing poems giving an alternate telling of a favorite fairy tale. “Rampion” is a retelling of Rapunzel and I just found out that “Beauty Spins New Threads” will be published soon in Opendoor Magazine. You can read “Rampion” here in Quail Bell Magazine.

Thank you for reading. If you haven’t already signed up to follow me on WordPress or Medium, it’s free. Nadjamaril.com

Published by Nadja Maril

Nadja Maril’s prose and poetry has been published in literary magazines that include Change Seven, Lunch Ticket, Thin Air, and The Compressed Journal of Creative Arts.. Author of two children’s books illustrated with paintings by her father Herman Maril and two reference books on antique American Lighting, she is currently completing a novel and a garden memoir chapbook of poetry, recipes and prose. A former journalist and magazine editor, Nadja has an MFA in Creative Writing from the Stonecoast Program at the University of Southern Maine and is a Contributing Editor to Old Scratch Press. To read more of her work and follow her weekly blog posts, visit Nadjamaril.com https://nadjamaril.com/

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